Monday, April 24, 2006

The Missionary Position

In honour of the joy I will have reading and rereading sentences in Letters to a Young Contrarian by Christopher Hitchens, I have posted below a short excerpt from an interview he did with Free Inquiry about his book on Mother Theresa's overlooked shortcomings.

The whole interview is available here.

FI:
Hence the title of your book: The Missionary Position.

HITCHENS: That has got some people worked up. Of the very, very few people who have reviewed this book in the United States, one or two have objected to that title on the grounds that it's "sophomoric." Well, I think that a triple entendre requires a bit of sophistication.

FI: And your television program in the United Kingdom was called "Hell's Angel."

HITCHENS: Yes, very much over my objection, because I thought that that name had not even a single entendre to it. I wanted to call it "Sacred Cow."

Friday, April 21, 2006

Nerds, everywhere.

"Demand for the product fluctuated for decades, and finally plummeted during the 1980s in the face of growing social stigma and stereotypes."

- Definition of Pocket Protector, Wikipedia.org.

Thursday, April 20, 2006

From Bone and Juice, the Crushed are Springing

I wrote the following words on the back, folded portion of a crossword puzzle mailed to me from a friend in Toronto - which was solved on the train from Shanghai to Beijing with my mother - while I was sitting on a bus driving into the Chengdu, capital of Sichuan Province, China, from which I boarded a plane and flew onto the Tibetan plateau:

They are swans that
swim in cesspools.
They farm land
between highway
overpasses,

and peddle cheap wares
in ancient bazaars.
They stack boxes in
obscure city zones
lost to all, unbroken;

battered, not crushed,
they work two jobs
but are registered
for none.
their children play naked

in nearby streams, that
cut countrysides like
snakes, and they smile
from storefronts, with
faces exuberant.

They sleep out front
of railway networks
and highway junctions,
working in travel,
families at home.

Skin tanned dark,
brown with work, sweat
and dirt. The paler
shades shun them -
they're afraid of work.

Dark maroon uniforms,
and morning rituals rear
the annoyance of the
sprawling service
classes.

Buildings loom heavy,
shadow over communities.
The red-shirted man,
gazes on, from a second
storey bus window.

Three cheers for China,
the China they're hiding.
Gleaming steel wrought,
from bone and juice, the
crushed are springing,

Up 88 storeys,
to house
sleaze and progress,
and Redress. But
it's still a mess.

Sunday, April 16, 2006

Sayonara

Dressed in white and whistling Lorca's Novena I will stroll sunburnt streets. My suit jacket will blow open and my loafers will kick pebbles that will bounce down the street and annouce my arrival to the back alleys. Dusk will roll across this city like a rusted wagon; the night and I will coaxe forward dreamers and liars alike.

Poets will sputter and falter when they search back pockets for words and will lose when they play dice with me. Feeling swells and spills over the rim like a glass poured with gusto; passion and summer and heat and light flood the streets. We flood the streets.

Tuesday, April 11, 2006

The Moot Trumpet sounds at Midnight

His heel rolled off and down the curb, into pain and into trash. Apt metaphors for his life, all of them, he joked inside his drunken head as he stumbled home. It was some absurd hour; it always was – maybe it was daylight saving’s time. Regardless, it was 4:30 a.m. and Reggie had been kicked out of the bar early. He had slurred his way distastefully up to the stage during a break in the jazz band’s set and, through flattery, convinced the band’s drummer he was fit to sit in for a couple of songs.

A few drinks later and oblivious to earlier claims, Reg was called to the stage by Oberon, a thick-set black man from New York City who had tasted both his share of women and his share of competition. Reg looked up from a nursed drink, with an ego as hollow as his wallet, and remembered. He slid off his stool, and patted a friend’s arm in a wounded, pseudo-confident kind of way. As he fell toward the stage, he staggered and knocked over a chair.

He grabbed Oberon’s hand as the big man tried to ignore his way past Reg and their hands – one sweaty and one greasy – briefly met in the half-hearted shake drug dealers are used to. Reg sat back on the drummer’s stool and leaned against the wall of the club for support. He picked up the sticks and looked over at the piano player. A sagging man of 32 years, the man leaned over the ivories with a clichéd limp cigarette hanging out of his mouth and a limp, globetrotting whore slumped over a table in the first row – a drink in her hand, tilted and balanced. He grinned a weak smile and started up a standard. The bass player sighed loud enough to be heard over the intro and stood up from his seat, setting his stand-up against his chest and feeling for a groove with half his mind and only 3 fingers.

Reg realized then how drunk he was. The people near the bar, who were farthest from the stage, were drowning in Las Vegas haze – half heat and half smog. The ones sitting near the stage were still visible. Sluts, all of them. The ex-pats shined in their fake suits, while their equally fake broads burst out of their tops as often as they fell to the hardwood on their way to the powder room. Reg looked at the sticks in his hands and pretended to feel the music. He was trying hard to figure out what time signature the two washed-up musicians were playing in and trying much, much harder not to throw up. He swallowed his constitution’s weakness and plowed into the song as softly as his inability would allow him. It was a disaster.

The piano player’s whore had known from the start that Reg was no good. But as the musical train derailed into a field of plump, oblivious cattle, even the others began to notice. The managing consultant from Chicago looked into his screwdriver, up at Reg, down at his drink again, over at his girl on the floor by the bathroom, and became solemn. What was her name again, he thought? Reg’s incompetence began to register and he began to grimace; thinking of his wife, he got up and left. The bartender, looking nervous, ignored an obvious plea for over-priced beer and stared as the stage unwound. The bass player simply stopped playing, mid-song, leaned his bass against his chair, picked up his drink and walked off stage toward the bar. The piano player smirked, checked his whore to make sure he wouldn’t have to carry home two sets of equipment, and just stopped – staring stupidly.

Reg, stupid as he was, wasn’t dumb. He drifted off musically and did a little flourish to finish off. No one was impressed. But it didn’t matter that much. Reg’s friends – met only once or twice – had already left. The bartender refused him any more drinks, and Reg, his ego thumb-screwed into oblivion, rolled his eyes and shoulders and legs toward the door and out into the humid night. As he looked at the moon through the trees and tried to walk straight, he rolled his heel off the curb and nearly broke his ankle.

Monday, April 03, 2006

Ode and Command to Non-Fiction writers

Like thick sirloin dripping blood, flopping all over a plate like a struggling poisson, bring juicy bits of lives to life; render the absurd focused and elevate what deserves to be absurd to its rightful status; piece together pictures of lives cut short, lived large, and lived wrong; don't ever forget to judge with style when judgment in more obvious ways is less funny or less apt; make us read your sentence over again, for pleasure, not from confusion; make us tell friends and lovers your story less vividly than you did, because you inspired us to try; make us laugh with disbelief, please; refuse to be boring people and live boring lives and your writing will never be boring; write when you think your thoughts are too interesting to keep bottled up, even if they have no hope of getting published; write for pleasure, not because you have to.